Thursday 31 January 2013

Jayalalithaa defends 'Vishwaroopam' ban, to sue Karunanidhi


Chief Minister J. Jayalalithaa said Thursday that Kamal Haasan's movie "Vishwaroopam" was banned in Tamil Nadu due to real fears of violent protests and that she had no grudge against the actor.
The chief minister also announced that she would file criminal cases against DMK leader M. Karunanidhi and sections of the media that she said had maligned her on the issue.
Reeling out statistics, she said it would have been impossible to provide police protection to all 524 cinemas in Tamil Nadu where the multilingual film was to be released after Muslim groups announced a wave of protests.
"I have no personal grudge, no personal interest in banning the movie," the actor-turned-politician told the media, adding she knew nothing about the Rs.95 crore espionage thriller until it became controversial.
She said her government had the powers to ban a movie completely but it banned it only for 15 days so that tempers could cool down and both Kamal Haasan and Muslim groups could reach an agreement.
To make it clear that her government's decision was not without basis, Jayalalithaa pointed out that the movie had also been also banned in Qatar, the United Arab Emirates, Sri Lanka, Malaysia and Singapore.

It was also banned in states neighbouring Tamil Nadu. "Was I responsible for all that?"
The chief minister said Muslim leaders had told her that they were ready to accept the movie now as Kamal Haasan had agreed to delete some portions they had found objectionable on religious grounds.
"If the leaders of Muslim organisations and Kamal Haasan can sit together and work out an amicable agreement, the government will do everything possible to facilitate that ... and the deck will be cleared for screening the movie.
"There is no question of curbing the freedom of speech."
Jayalalithaa insisted that her critics were "totally unaware of the sheer logistics of administration and maintenance of law and order".
She said if the movie had been released and generated violence, the same people now clamouring for the film would have denounced her.
She said that while the total effective strength of the Tamil Nadu Police was 91,807 inclusive of special units, guarding 524 cinemas in a surcharged atmosphere would have required 56,440 personnel.
"This is not possible, not sensible, not practicable. The sensible way is to prevent violence... It is only in that spirit that we approached the release of the film."
She denied speculation that Kamal Haasan's troubles began after he reportedly refused to sell the movie rights to Jaya TV, which supports her AIADMK party.
"This is a wild reckless charge against a constitutional authority. We will have to take legal action..."
She targeted Karunanidhi for alleging that she wrote a letter in the 1980s against Kamal Haasan to then chief minister M.G. Ramachandran or MGR.
Jayalalithaa said there was no need for her to write to MGR when she used to meet him almost daily.
"(This is) a wild fictitious story. We will be instituting legal proceedings against Karunanidhi and against all newspapers which published this charge."
The chief minister said initially Kamal Haasan was not ready to make even a single cut in "Vishwaroopam". He also delayed showing the movie to Muslim leaders. Had he done so, the situation would not have come to such a pass.
Kamal Haasan has written, produced and directed the movie and also features in the title role in "Vishwaroopam", which revolves around an Al Qaeda plot and an Indian couple in the US.
It has been made in Tamil and Telugu. The Hindi version, "Vishwaroop", is set for release Friday.
vishwaroopam movie latest results,vishwaroopam ban updates,jayalalitha about vishwaroopam

Thursday 24 January 2013

Kizhaku Sivakayilae Movie Stills


Movie Name : Kizhaku Sivakayilae Starring : Arun, Sindhu, Keerthi Music : S.T.Kumar Direction : Michael Rasakumar Producer : Maruthu Pandian Kizhaku Sivakayilae is an upcoming 2012 Indian Tamil Language film directed by Michael Rasakumar which it produced by Maruthu Pandian. It stars Arun, Sindhu, Keerthi are in the lead roles. S.T.Kumar is the music director of the film

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Wednesday 16 January 2013

Samar Movie Review

Movie Name : Samar

Starring : Vishal, Trisha, Sunaina, Jayaparakash, Sampath, Manoj Bajpai

Music : Yuvan Shankar Raja

Direction : Thiru

Producer : T Ramesh

Banner : Jaya Balaji Real Media

Release Date : January 14, 2013

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Samar For Pongal Release Poster
By the end credits start rolling or at the penultimate sequences to climax, you might feel the trace of a famous Spanish thriller, but revealing them would be a spoiler. However, the similarities end with the plot, for the unexpected turns and twists in second half leaves you in complete amazement. Vishal might have made a wrong choice after Avan Ivan by taking up a commercial film VEDI. Nevertheless, Samar becomes an elevation for this star, which completely comes out of the Commercial Hero image and tries something beyond his usual paradigms. And for Thiru, this young filmmaker made a decorous debut with Theeratha Vilayattu Pillai and now arrives with a completely different film.
10 minutes into the film, Shakthi (Vishal), son of a forest ranger (Azhagam Perumal) is spotted heart-broken as his girlfriend Rupa (Sunaina) calls off their relationship and gets settled down in Bangkok. Three months later, he receives a letter from Rupa along with a flight ticket expressing her desire to meet Shakthi again. On boarding his flight, he meets a beautiful girl Maya (Trisha), who helps him to complete the procedures through the security check points. Bangkok surprises Shakthi in an unannounced manner as he gets through a shock when he is saved by a group of people from gangsters, who trigger their bullets on him. He is furthermore shocked to hear his rescuers identifying him as their boss Shakthi, one of the world’s most celebrated entrepreneurs with a bank balance of billion dollars. Unable to deal with the situation, he seeks for the help of Maya, who works as an admin in Hyatt Hotel, Bangkok. Story takes a turn when he is literally discombobulated as he coincidentally comes across Rupa and hears her say; she never wrote any letter inviting him to Bangkok.
Guess what’s next? It’s a roller-coaster ride of more thrills and suspense elements. Who’s Shakthi? Is he really what he is or has a hidden identity? It’s not just Shakthi, who starts doubting everyone around him, but the audience as well.
Revealing more than this would be an ultimate spoiler and we suggest you to go experience the most scintillating thriller all by yourself.
As mentioned earlier, it’s a daring attempt by Vishal as we see him completely moving out of mass image and taking up a film that is dominated by script. Well, before few days, it was Vijay surprising us with a change in dimension and now it’s Vishal. With these mass heroes taking a new route, we can expect more and more unique films coming on its way to screens in Kodambakkam. Vishal as a perplexed individual, who doesn’t have any clue on what’s happening has done a fantastic job. A suspense-thriller would usually have its protagonist found feeble throughout the script until a point and Thiru has thoroughly followed this principle. Be the opening sequence, where he emotes over the break-up of Sunaina and his yearning moments for her in Bangkok, it gains our sympathy. We would say, Trisha has never done such a challenging role before and she can expect her name listed for Best Actress category in many award ceremonies. Kudos to the actress for taking up a different role that stays far away great from her previous movies. Sunaina doesn’t get more footage, but tries to remain at her best. JD Chakravarthy and Manoj Bajpayee (who can forget their awe-inspiring performance in Ram Gopal Varma’s Sathya?) give an enthralling performance appearing in post-intermission sequences. Sampath, Jayaprakash and Sriman do not have more than 10 minutes in the screen, but showcase their best efforts into their roles.
Filmmaker Thiru is the showstopper here for he has penned a gripping screenplay that keeps the audience intact from beginning till end. He doesn’t set separate space for songs, romance and action, but everything is tightly chained with the screenplay. Yuvan Shankar Raja’s Azhago Azhagu is a pleasant experience for the colourful visuals and tunes and background score is pretty laudable. The action sequences are the other highlighting flash points in the film.
On the whole, Samar is a spellbinding taut thriller that shouldn’t be a miss for audience, especially for the ones constantly looking out for a Hollywood-styled thriller.
Verdict: Samar – undoubtedly, the winner of Pongal race.


Samar Movie Review

Puthagam Movie Review

Movie Name : Puthagam

Starring : Sathya, Rakul Preet Singh, Jagapathi Babu, Rachana MouryaVignesh, Sanjay Bharathi

Music : James Vasanthan

Direction : Vijay Adiraj

Producer : S Manjula

Banner : Ram Pictures Private Limited

Release Date : January 14, 2013

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Puthagam Movie Release Poster


Puthagam marks the directional debut of prominent TV personality Vijay Adhiraj. It is believed that he had the idea for this film almost 14 years ago and the idea has finally found its moment in the sun on the big screen with a Pongal release. Vijay Adhiraj tries to weave this tale with a concoction of new faces and some reliable old horses.

Puthagam is essentially about three young men who find themselves plagued with money related problems, both when their pockets are empty and when it’s overflowing. The source of their new found riches and the root cause for the entire situation make up the rest of the story of Puthagam.

The three youths in question are played by Sathya, who as the narrator himself points out looks a bit like his brother Arya, Sanjay Bharathi, son of veteran Santhana Bharathi (as an added quip, he also gets to call his father names in the film), and Vignesh who was last seen in Kaadhalil Sodhappuvadhu Eppadi. The first half of the movie revolves around setting up these three characters. The obligatory love angle is awarded to Sathya as he gets to romance Rakul Preet Singh, who plays a news channel reporter. As far as performances go, the young cast has performed with sincerity but it’s Rakul Preet Singh who shines the most with a sensible and sensitive acting display. Even her mouthing of words makes the lip sync look natural and the director, along with the actress, must be credited for working towards such important detailing.

The other cast members consist of a galaxy of popular TV faces and character artists like Uma Padmanabhan, Suresh, Thalaivasal Vijay, Santhana Bharathi, Fathima Babu and Mano Bala to name a few. Jagapathy Babu is an important character to the proceedings playing a casual gun-slinging mercenary and he has Rachna Maurya as his dynamite-like side kick. The seasoned supporting cast all live up to their expectations by easing through their roles.

Technically Puthagam looks good, credit to the cinematographer Laxman Kumar who has managed to show the colorful side of the fun loving youngsters and the more darker and sinister side of the scheming villains. James Vasanthan delivers some foot-tapping tunes that have been shot in picturesque locations abroad, and his able background score adds necessary drama for the important scenes.

Where Puthagam fails to be an exciting page-turner is in its distracted screenplay. Clocking at nearly 150 minutes, Puthagam contains several episodes that hamper the intensity and flow of the original plot, which is revealed only minutes before the interval. Knocking off the old-fashioned bromance and its related links could have made Puthagam racier. Another area where the film falls short of grabbing your attention is in its lengthy dialogue sequences which ideally could have been crisper. One feels that the director could have employed other means of narrative techniques to break the monotony of conversations.

Even though Vijay Adhiraj’s intentions were to serve up an interesting thriller for all kinds of audience, the result of what might have been an edge of the seat thriller turns into a long drama filled with the usual sentiments played by usual characters.


Verdict: This attempted thriller will require your patience.

Puthagam Movie Review

Tuesday 15 January 2013

Kanna Laddu Thinna Aasaiya Movie Review

Movie Name : Kanna Laddu Thinna Aasaiya

Starring : Santhanam, Power Star Srinivasan, Vishaka Singh, Sethu, Mayilsamy, Ganesh

Music : Thaman S

Direction : K S Manikandan

Producer : Santhanam, Ramanarayan

Banner : Hand Made Films, Sri Thendral Films

Release Date : January 14, 2013

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Kanna Laddu Thinna Aasaiya
For a generation that was fed on a diet of K Bhagyaraj’s films, the plot of Kanna Laddu Thinna Aasiaya is nothing new but for the current generation, this is the story of three men wooing one girl and their funny ideas and tricks. There are slight alterations from the original film (Indru Poi Naalai Vaa), perhaps to suit the current trend.
The power of Santhanam at the BO and with the audience is well known but in KLTA, it is Powerstar Srinivasan who shadows everyone becoming the power centre of KLTA. It is in fact interesting to observe that Santhanam has given ample scope for his fellow actor and perhaps it is his shrewd acumen that had roped in Powerstar for his film. It is a kind of big spoof played on the actor which Santhanam points at the end “nee comediannu theriyamaiye irukkiyae’ which works for KLTA.

Powerstar gathers all the applause and audiences don’t get tired of cheering him whenever he appears on screen or mouths a simple dialogue or flexes his muscle. Dialogues like “Shruthi vandaa, koodave avanga appa Kamalum varuvaaraa”, “Mannu lorry break pidikkadhu, appanukku friends pidikkadhu”, “Corporation kakkossukku ayudha pujai pannina maadhiri” bring the roof down. And there are plenty of such dialogues in KLTA.

The story is nothing new and is totally predictable but what favors it are the continuous bouts of humor and wisecracks that tickle the funny bones hugely. You know what is going to come but you still wait eagerly to see how it is going to happen. There are many scenes that are high on humor quotient like the ‘chinnanchiriya vanna paravai’ rendition at the temple, Powerstar using a double for dance at the temple to name a few.

KLTA team’s agenda is simple and clear- they want to make the audience laugh and they have succeeded in this mission big time. Gags and oneliners follow at regular intervals. Although pace is not the high point of KLTA, by the time you realize the snag, there is something coming on screen which makes you roll with laughter. That aside, KLTA is all about humor snippets that are strung together that gives an enjoyable time at the theatre.

For Powerstar, all that he does is to just play himself and hence it is a natural performance. The very factors, for which he is generally made fun of, are all integrated in to the story resulting in a spoof like show. The best example could be the scene at the liquor shop where Santhanam takes a picture of Powerstar, shows it to him, asks for his opinion and teases him.

For Santhanam, KLTA is another regular show as an actor and he glides past his role. When he emotes with feigned seriousness mimicking all heroes when Vishaka asks him ‘neengalumaa?’, it is hilarious to say the least. There are also dance sequences in KLTA involving Santhanam and Powerstar which again result in more hilarity. Newcomer Sethu is just about adequate and in fact he fades in the presence of the other two artists.  Vishakha Singh is one more actor from north.

There are other supporting cast members like VTV Ganesh, Kovai Sarala, Devadarshini and Shivshankar master but the spotlight is clearly on Powerstar. Cameo from Gautham Menon, Simbu and cinematographer Balasubramaniem gel well with the plot.

Among Thaman’s songs the ‘love letter’ number, remix of yesteryear ‘unnai vaazhthi paadugiren’ picturized on Santhanam is a laugh riot.  Replete with humor, KLTA offers what it is set out for-gives an unabashed hilarious 140 minutes for the viewer.

Verdict: An enjoyable fun ride for the festive season, go for it, you won’t regret!

Review by Behindwoods.com


Kanna Laddu Thinna Aasaiya Movie Review

Alex Pandian Movie Review

Movie Name : Alex Pandian

Starring : Karthi, Anushka Shetty, Santhanam, Nikhita, Sanusha, Prathap Pothen

Music : Devi Sri Prasad

Direction : Suraj

Producer : K E Gnanavelraja

Banner : Studio Green, Vendhar Movies

Release Date : January 11,2013

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Alex Pandian Mass Action Poster


Alex Pandian- the reverberating name that was immortalized by the superstar in Moondru Mugam becomes the title of this Studio Green’s enterprise directed by Suraaj with Karthi taking on the title role. This is the first time that director Suraaj known for his comic capers like Marudhamalai and Thalainagaram, is teaming with Karthi and Santhanam in an entertainer that has liberal doses of action and humor.

Alex Pandian opens up with a high octane action sequence that has Karthi saving Anushka from baddies and escaping from their clutches. What follows this episode and what construed this event is what Alex Pandian all about.

For Karthi, this is an action flick all through and the actor wears his action garb quite consummately, performs dare devil stunts, zooms in mid-air to bash up the goons, jumps on a moving train, saves Anushka and gives Santhanam nightmares when he plays with his sisters.

Santhanam has become the sine qua non of Tamil cinema and he delivers once again with his comedy antics and wisecracks. For a change, Santhanam is not on the hero’s side but in the opposite camp and constantly explores opportunities to keep Karthi off his sisters which render a large scope to tickle the funny bones. But it would have been nice if Santhanam controls his double entendres as there are many children who are his fans and watch his films.

Karthi sports a Rajni name, mouths Rajni dialogues and is armed with a face that has a high instant likability quotient and when necessary, he can charm you with that 1000 watt smile of his.

Director Suraaj’s forte is comedy that was evident from his previous projects. But in Alex Pandian the comedy ratio is low and action occupies a huge chunk. The first half of the film belongs to Santhanam and the director travels to a certain extent on an even keel in this segment although songs and fight sequences impede the progress.

However, post interval, the film descends on to a path filled with potholes and plot contrivances. There are moments when you sense the film is drifting aimlessly example is the Manobala segment which in no way contributes to the film. It is very evident that Suraaj has lost his plot midway and his narration fails to grab the audience. The non-cohesive screenplay also results in low engaging factor.

The premise is also age old and predictable and some sequences and dialogues are regressive to say the least and are completely unwarranted. With a wonderful and an experienced cast like Milind Soman, Suman, Prathap Pothen and Visu, Suraj could have done wonders but sadly, he has wasted all of them. And Anushka features only in the second half and the beautiful lady is also under utilized and reduced to a mere damsel in distress looking to the hero for support. Renuka as Santhanam’s mom and Sanusha, Nikitha Thukral as Santhanam’s sisters are lively.

DSP’s scores are nothing spectacular and the placement of the popular number ‘I am a bad boy’ at the end credits does disappoint. Technically Alex Pandian does not offer much but for the action sequences which are plenty and are shot quite well.

To encapsulate, Alex Pandian may work for people who patronize formulaic films with few songs, action sequences and the routine content.

Verdict: For old formulaic mass masala fans.
Review by Behindwoods.com


Alex Pandian Movie Review